{"id":191,"date":"2012-10-09T05:07:36","date_gmt":"2012-10-09T05:07:36","guid":{"rendered":"https:\/\/archive.santiago-reyes.com\/?p=191"},"modified":"2014-12-29T17:56:43","modified_gmt":"2014-12-29T22:56:43","slug":"monumetria","status":"publish","type":"post","link":"https:\/\/archive.santiago-reyes.com\/en\/monumetria\/","title":{"rendered":"Monumetria"},"content":{"rendered":"<p>Project <strong><a title=\"Delenguaamano\" href=\"https:\/\/archive.santiago-reyes.com\/delenguaamano\/\">DELENGUAAMANO<\/a><\/strong><\/p>\n<p>Every monument has a front, and with that front a direction in which we are going, and with that going a whole that is not singular but plural. In sum, a first person plural characterized by a future that is as shared as it is certain. The monument to Ramos de Zepeda erected in 1934 in front of the Pinacoteca de S\u00e3o Paulo was a clear example of this. With large dimensions and long-lived materials\u00bfgranite, bronze\u00bfit attempted to establish a point for the city that would raise not as much the past, supported on Doric columns, but its future, represented by an advancing arm. However, it didn\u00bft last long: in 1967, due to the construction of the city\u00bfs subway system, the monument had to be dismantled, then dumped, and finally re-erected away from its original site.<\/p>\n<p>During the months of March, April, and May of this year, at the Pinacoteca de S\u00e3o Paulo, the Delenguaamano collective\u00bfcomprised of Gilberto Mariotti, N\u00e9stor Guti\u00e9rrez, and Santiago Reyes\u00bftook it upon itself, in its temporary shoe Monumetr\u00eda, to once again raise that monument in a here\u00bfthe original location given to it\u00bfand a now\u00bfour own times.<\/p>\n<p>The problem was that very little was left of the monument\u00bfs here, and the same goes for that now, our own times: only unconnected pieces that do not indicate a destiny, mismatched, incapable of organizing a path of any kind. And it is precisely there, on that dislocated here and now, that Delenguaamano set the basis of the monument.<\/p>\n<p>Monumetr\u00eda was a single work\/intervention divided into four parts: Perspectiva y proyecci\u00f3n, a transparency; Mnemocine: a museum fragment; Trabajo y reproducci\u00f3n: a printing of postcards; and Reconstituci\u00f3n, a bronze casting. Four parts that feed on each other through two concrete actions: pointing to fragments and inventing coordinates.<\/p>\n<p><a title=\"Monumentria ArtNexus\" href=\"https:\/\/archive.santiago-reyes.com\/monumentria-artnexus\/\"><span style=\"text-decoration: underline;\"><span style=\"color: #333399; text-decoration: underline;\">Read full article<\/span><\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Project DELENGUAAMANO Every monument has a front, and with that front a direction in which we are going, and with that going a whole that is not singular but plural. In sum, a first person plural characterized by a future that is as shared as it is certain. The monument to Ramos de Zepeda erected [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[13,9,10,12,11,14],"class_list":["post-191","post","type-post","status-publish","format-standard","hentry","category-delenguaamano","tag-arte","tag-delenguaamano-2","tag-monumetria","tag-portafolio","tag-santiago-reyes","tag-sao-paulo"],"_links":{"self":[{"href":"https:\/\/archive.santiago-reyes.com\/en\/wp-json\/wp\/v2\/posts\/191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.santiago-reyes.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.santiago-reyes.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.santiago-reyes.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.santiago-reyes.com\/en\/wp-json\/wp\/v2\/comments?post=191"}],"version-history":[{"count":21,"href":"https:\/\/archive.santiago-reyes.com\/en\/wp-json\/wp\/v2\/posts\/191\/revisions"}],"predecessor-version":[{"id":1583,"href":"https:\/\/archive.santiago-reyes.com\/en\/wp-json\/wp\/v2\/posts\/191\/revisions\/1583"}],"wp:attachment":[{"href":"https:\/\/archive.santiago-reyes.com\/en\/wp-json\/wp\/v2\/media?parent=191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.santiago-reyes.com\/en\/wp-json\/wp\/v2\/categories?post=191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.santiago-reyes.com\/en\/wp-json\/wp\/v2\/tags?post=191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}