{"id":1928,"date":"2016-01-31T15:24:05","date_gmt":"2016-01-31T20:24:05","guid":{"rendered":"https:\/\/archive.santiago-reyes.com\/?page_id=1928"},"modified":"2016-01-31T15:40:57","modified_gmt":"2016-01-31T20:40:57","slug":"royal-college-of-art-work-in-progress-show-2016","status":"publish","type":"page","link":"https:\/\/archive.santiago-reyes.com\/pt\/noticias-news\/royal-college-of-art-work-in-progress-show-2016\/","title":{"rendered":"Royal College of Art Work in Progress Show 2016"},"content":{"rendered":"<p>Royal College of Art Work in Progress Show<br \/>\nJanuary 2016<\/p>\n<p>&#8216;Sculpture is characterised by a semi-accidental, self-curated installation that locates students&#8217; displays within their own studio spaces, producing interesting combinations. Structural interventions in the physical spaces emerge through from the studio occupants, and there\u2019s a playful enjoyment of the idea of the hybrid between workspace and display space. There\u2019s a musical stave notation painted on a wall, and a life-size ostrich juxtaposed with a drawn hawk.<\/p>\n<p>Within that is a seriousness that articulates itself through intense political narratives: <span style=\"color: #333399;\">Santiago Villaveces<\/span>\u2019 self-reflective, textual installation is both a structuralist\u2019s interest in the individual\u2019s position and a formal critique of the organisational structures that obstruct and facilitate his artistic existence, including an archive of overused terms.&#8217;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\"><span style=\"color: #333399;\"><a style=\"color: #333399; text-decoration: underline;\" href=\"http:\/\/www.rca.ac.uk\/news-and-events\/news\/fine-art-open-house-2016-multiplicity-conversations\/\" target=\"_blank\">http:\/\/www.rca.ac.uk\/news-and-events\/news\/fine-art-open-house-2016-multiplicity-conversations\/<\/a><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Royal College of Art Work in Progress Show January 2016 &#8216;Sculpture is characterised by a semi-accidental, self-curated installation that locates students&#8217; displays within their own studio spaces, producing interesting combinations. Structural interventions in the physical spaces emerge through from the studio occupants, and there\u2019s a playful enjoyment of the idea of the hybrid between workspace [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":424,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1928","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/archive.santiago-reyes.com\/pt\/wp-json\/wp\/v2\/pages\/1928","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.santiago-reyes.com\/pt\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archive.santiago-reyes.com\/pt\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archive.santiago-reyes.com\/pt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.santiago-reyes.com\/pt\/wp-json\/wp\/v2\/comments?post=1928"}],"version-history":[{"count":2,"href":"https:\/\/archive.santiago-reyes.com\/pt\/wp-json\/wp\/v2\/pages\/1928\/revisions"}],"predecessor-version":[{"id":1936,"href":"https:\/\/archive.santiago-reyes.com\/pt\/wp-json\/wp\/v2\/pages\/1928\/revisions\/1936"}],"up":[{"embeddable":true,"href":"https:\/\/archive.santiago-reyes.com\/pt\/wp-json\/wp\/v2\/pages\/424"}],"wp:attachment":[{"href":"https:\/\/archive.santiago-reyes.com\/pt\/wp-json\/wp\/v2\/media?parent=1928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}