{"id":2998,"date":"2019-05-17T01:06:32","date_gmt":"2019-05-17T06:06:32","guid":{"rendered":"https:\/\/archive.santiago-reyes.com\/?p=2998"},"modified":"2019-05-20T10:25:13","modified_gmt":"2019-05-20T15:25:13","slug":"2019-lo-bravo-y-lo-manso","status":"publish","type":"post","link":"https:\/\/archive.santiago-reyes.com\/pt\/2019-lo-bravo-y-lo-manso\/","title":{"rendered":"2019\u2014Lo bravo y lo manso"},"content":{"rendered":"<p>Lo Bravo y lo Manso<br \/>\nSantiago Reyes Villaveces<br \/>\n18 May\u00a0 &#8211; 30 Aug | Instituto de Visi\u00f3n<\/p>\n<p>&nbsp;<\/p>\n<p>Lo Bravo y lo Manso re\u00fane el m\u00e1s reciente trabajo de Santiago Reyes Villaveces, cuyas preocupaciones giran en torno a temas constantes en el arte como la presencia\/ausencia del cuerpo, la materialidad de la obra, la consonancia de los opuestos y a la vez, se ocupa de interrogar sobre asuntos tan dis\u00edmiles como el sistema del mundo mineral y su relaci\u00f3n con la construcci\u00f3n de la historia sociopol\u00edtica de Colombia.<\/p>\n<p>El sistema tel\u00farico que ha modificado la morfolog\u00eda del planeta y ha influido en el origen y desaparici\u00f3n de especies animales y vegetales, tambi\u00e9n ha interferido en la creaci\u00f3n de la narrativa de la historia en m\u00faltiples circunstancias. Por ejemplo, la explosi\u00f3n del nevado del Ruiz en el a\u00f1o 1985 que ocasion\u00f3 una de las tragedias m\u00e1s devastadoras de nuestra historia, coincide con el atentado al palacio de justicia que desencaden\u00f3 una cat\u00e1strofe de \u00edndole social de la que tampoco a\u00fan se recupera el pa\u00eds.<\/p>\n<p>El universo tiene leyes que no pertenecen a la l\u00f3gica moral occidental y se manifiesta en una serie de fuerzas que van desde lo manso a lo bravo y viceversa, sin distinguir en sus consecuencias. La fuerza que precipita un suceso, se calma creando otra realidad y este aparente estado de quietud ocasiona as\u00ed mismo otra serie de accidentes que se exhiben tanto en las dimensiones f\u00edsicas, hist\u00f3ricas, simb\u00f3licas o po\u00e9ticas.<\/p>\n<p>-English below.<\/p>\n<p>Lo Bravo and Manso brings together the latest works by Santiago Reyes Villaveces, whose concerns revolve around constant themes in art such as the presence \/ absence of the body, the materiality of the work, the consonance of the opposites and at the same time, it deals with questions about matters as the system of the mineral world and its relationship with the construction of the sociopolitical history of Colombia.<\/p>\n<p>The telluric system that has modified the morphology of the planet and has influenced the origin and disappearance of animal and plant species, has also interfered in the creation of the narrative of history in multiple circumstances. For example, the explosion of the Ruiz snow mountain in 1985 that caused one of the most devastating tragedies in our history, coincides with the attack on the palace of justice that triggered a social catastrophe from which the country still does not recover.<\/p>\n<p>The universe contains laws that do not belong to the Western moral logic and manifests itself in a series of forces ranging from the mild to the rough and vice versa, without distinguishing in their consequences. The force that precipitates an event, calms down creating another reality and this apparent state of stillness also causes another series of accidents that are exhibited in physical, historical, symbolic or poetic dimensions.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lo Bravo y lo Manso Santiago Reyes Villaveces 18 May\u00a0 &#8211; 30 Aug | Instituto de Visi\u00f3n &nbsp; Lo Bravo y lo Manso re\u00fane el m\u00e1s reciente trabajo de Santiago Reyes Villaveces, cuyas preocupaciones giran en torno a temas constantes en el arte como la presencia\/ausencia del cuerpo, la materialidad de la obra, la consonancia [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[79],"tags":[],"class_list":["post-2998","post","type-post","status-publish","format-standard","hentry","category-79"],"_links":{"self":[{"href":"https:\/\/archive.santiago-reyes.com\/pt\/wp-json\/wp\/v2\/posts\/2998","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.santiago-reyes.com\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.santiago-reyes.com\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.santiago-reyes.com\/pt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.santiago-reyes.com\/pt\/wp-json\/wp\/v2\/comments?post=2998"}],"version-history":[{"count":1,"href":"https:\/\/archive.santiago-reyes.com\/pt\/wp-json\/wp\/v2\/posts\/2998\/revisions"}],"predecessor-version":[{"id":2999,"href":"https:\/\/archive.santiago-reyes.com\/pt\/wp-json\/wp\/v2\/posts\/2998\/revisions\/2999"}],"wp:attachment":[{"href":"https:\/\/archive.santiago-reyes.com\/pt\/wp-json\/wp\/v2\/media?parent=2998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.santiago-reyes.com\/pt\/wp-json\/wp\/v2\/categories?post=2998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.santiago-reyes.com\/pt\/wp-json\/wp\/v2\/tags?post=2998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}